A virtually mint copy of the First American edition in an unclipped dust jacket, signed, inscribed and dated in green ink on the front free endpaper: “For Jacques, who caressed…
As-new copy of the First American Edition in an unclipped dust jacket, signed and hand-dated “1992” by the author in ink on the front free end paper….
A very good copy of the First American edition in an unclipped dust jacket, signed by the author in ink on the front free endpaper.
This is a very good copy of the First American edition in price-clipped dust jacket. Discreet owner’s label on front free endpaper, blind stamp on title page, small tear at…
A virtually mint copy of the First American edition, in an unclipped dust jacket, boldly signed by the author in black marker on the front free endpaper.
…handsome hardcover volumes with sewn bindings and ribbon markers, printed on a premium acid-free lightweight opaque paper that exceeds the requirements for permanence set by the American National Standards Institute….
…the title page. A gift inscription to a previous owner is written in blue ink on the front free endpaper. A New York Times review of the book, dated October…
A very good copy, without dust jacket. There is a lengthy ink gift inscription, dated “Paris 1954,” on front free endpaper….
…handsome hardcover volumes with sewn bindings and ribbon markers, printed on a premium acid-free lightweight opaque paper that exceeds the requirements for permanence set by the American National Standards Institute….
…the First American edition in a price-clipped dust jacket. There is a dated gift inscription to a previous owner written in black ink on the front free endpaper; contents fine….
…A gift inscription is written in blue ballpoint pen on the front free endpaper. The contents are fine. A card printed with a Mucha image is laid-in at the front….
This is a very good copy of the First American edition, in an unclipped dust jacket. There is a gift inscription written in blue ballpoint pen on the front free…